“We are running from the void,straight into the void” Nihalism straight from the mouths of Aiden GD Moore’s darkly laconic lagomorphs

anthro, anthropomorphic, artist spotlight, comic, Comic spotlight, Uncategorized

bunniesEvents such as Thought Bubble are by far perfect occasion to discover new art,comics and creators in person and break out of the twitter and online gallery bubble, so once again this year I was again scouting around the numerous marquees for interesting and new books and comics, admittedly with maybe an eye extra open for something anthropomorphic! This year was another spectacular convention and it didn’t disappoint in terms of discovering talent that was new, to me at least. One that stood out and fit the bill very neatly thank you, was a book entitled Nihilistic Bunnies and it’s creator Aiden G Moore who in a flash of cross marketing/cosplay genius was dressed head to toe in a sparkly, queer rabbit getup.

As I said, it’s new to my eyes at least with Aiden actually releasing the book sometime last year and I’m surprised I’d not heard of it before. He presents a beautifully produced gallery of cutely sketched rabbits all being suitably adorable, each one oddly juxtaposed with some dark and well, Nihilistic phrases that tickled that skewered, pitch black part of my brain. They all illicit a wry, sadistic chuckle from the downbeat world view they espouse, with the most optimistic being “but carrots still taste good” in reply to another bunny declaring “life is meaningless”.

bunny2   Moore has also used anthropomorphic characters in his comics work with the completely wordless Occult Trash Raccoons, a short comic in which Raccoons turn to the dark arts and proficiency in arcane magical rituals in order to get their paws on trash that in a dozen or so pages crosses from cutesy animal shenanigans to full on occult nightmare fuel. Aiden also returns to rabbits, representing himself as a bunny again in two slice of life comics, Ode to Customer Service, which collects his account and others of working in the treacherous and often thankless world of retail, detailing the funny, saddening and rude customers that come along with the territory. Bunny Book, an autobiographical work previously published in Boston Comics Roundtable ‘Being True this year and also exhibited at the ‘Inside Job’ exhibition at the Tate Modern delves into gender presentation and recounts his experiences of expressing himself as a feminine trans male. a4-page2a4-page1 Working across a slew of other mediums as well as comics I’d recommend their work for anyone with a penchant for anything spooky, cute or occult!

You can find more of Aiden’s work over at aidengdmoore.com or support him on Patreon.

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“If an idea resonates with you, as a creator, there’s absolutely an audience for it” -The world of furry cartoonist Lobst

anthro, anthropomorphic, comic, interview

Moments_from_My_Adjustment_to_an_Emulated_Brain_Inside_a_Prosthetic_Body_001
Growing up on a diet of sci-fi and fantasy, transformation stories were the ones I loved and could always rely on the writers of most shows to fall back on one of it’s most loved tropes. For me they were always the most frustrating though, as characters spent their time trying either freaking or trying to change back, usually both. Frustratingly they almost never explored a person staying that way, gaining a new perspective on the world. It’s something I’d find renewed interest in when encountering the Furry Fandom and finally found quite literally in the works of Lobst, a furry comics artist who uses their anthropomorphic characters and an individual take on magical realism to express their unique experiences as a trans person.

As with the bulk of their work two of my favourites, both adult comics, prominently feature transgender characters and story lines. A Slightly Different Role follows the exploits of two huskies, Connor and Alex, the latter of which with the aid of a suitably gothic book of curses, magically endows the other with a vagina. The second, more science-fiction orientated That Curious Sensation takes the subject in an entirely different, rarely explored direction. Distracted from work by unwanted erections red panda Clover strikes upon the idea of nullification, quickly achieving his goal with an easily obtainable injection. In both instances the initial transformation is dealt with quickly and often humorously, instead shifting the focus onto how characters react and adapt to the changes, rather than the change itself as a way to explore other parts of a trans individuals experiences and struggles beyond the post surgery aspects that a lot of mainstream representations fixate upon.

Lobst tells stories and presents her trans and gender fluid characters in an interesting and entertaining manner without the fetishization often present in a lot furry comics staring trans characters. Their artwork explores them in entirely different ways ,and using the fantasy elements as a springboard to ask more intimate and rarely asked questions about individuals in the trans community through anthropomorphic characters. Despite the ears, tails and fur, her extended cast appear on the page fully rounded and human. Ultimately what sets Lobst’s work apart is the warmth and tenderness it exudes in both the ways their characters interact and the playful way they write about a complicated and multifaceted subject, tackled both playfully and honestly.

Has art always been a part of you life or something picked up later? How did your art change after coming into contact with the furry fandom?

I’ve always drawn artwork, although it took quite a while for me to start developing original ideas that spread out into stories.  I was a furry-in-denial for a very long time, since the “mainstream” of it — at the time, comics like Sabrina Online and Jack — either seemed too cloying or edgy for my tastes. It took a long time for me to realise that like any other fandom, furries comprise a wide spectrum of interests, so there was a gradual shift from anthro-animal comics like Cigarro & Cerveja/Living In Greytown to Gene Catlow/Kit & Kay Boodle to Associated Student Bodies, Circles, and the webcomics by my friend Moult, after which I spent yet another very-long-time producing furry media “ironically” in groan worthy “extreme” ways. And I think it was only around 2007 or so (yes, seriously) when I started actually looking at furry art, that I learned how to successfully draw furry snouts; until that point a besnouted face was seriously just a box in front of the standard comic-artist human face shield.