Events such as Thought Bubble are by far perfect occasion to discover new art,comics and creators in person and break out of the twitter and online gallery bubble, so once again this year I was again scouting around the numerous marquees for interesting and new books and comics, admittedly with maybe an eye extra open for something anthropomorphic! This year was another spectacular convention and it didn’t disappoint in terms of discovering talent that was new, to me at least. One that stood out and fit the bill very neatly thank you, was a book entitled Nihilistic Bunnies and it’s creator Aiden G Moore who in a flash of cross marketing/cosplay genius was dressed head to toe in a sparkly, queer rabbit getup.
As I said, it’s new to my eyes at least with Aiden actually releasing the book sometime last year and I’m surprised I’d not heard of it before. He presents a beautifully produced gallery of cutely sketched rabbits all being suitably adorable, each one oddly juxtaposed with some dark and well, Nihilistic phrases that tickled that skewered, pitch black part of my brain. They all illicit a wry, sadistic chuckle from the downbeat world view they espouse, with the most optimistic being “but carrots still taste good” in reply to another bunny declaring “life is meaningless”.
Moore has also used anthropomorphic characters in his comics work with the completely wordless Occult Trash Raccoons, a short comic in which Raccoons turn to the dark arts and proficiency in arcane magical rituals in order to get their paws on trash that in a dozen or so pages crosses from cutesy animal shenanigans to full on occult nightmare fuel. Aiden also returns to rabbits, representing himself as a bunny again in two slice of life comics, Ode to Customer Service, which collects his account and others of working in the treacherous and often thankless world of retail, detailing the funny, saddening and rude customers that come along with the territory. Bunny Book, an autobiographical work previously published in Boston Comics Roundtable ‘Being True this year and also exhibited at the ‘Inside Job’ exhibition at the Tate Modern delves into gender presentation and recounts his experiences of expressing himself as a feminine trans male. Working across a slew of other mediums as well as comics I’d recommend their work for anyone with a penchant for anything spooky, cute or occult!