“America. If I was your president I’d have the guts to lie right to your face..and you’d love it!”
In between the twitter fights, promises of wall building and genuinely terrifying calls for the other nominee to be hacked, or shot, whichever, that the actual US Election is still a month away. One. Whole. Month. Easy to see then why we now have writer Christopher Hastings and artist Langdon Foss boldly striding into the oddly familiar political landscape of the Marvel Universe with the satirical, Vote Loki. Like Howard the Duck in ’76, the trickster god throws his horned helmet into the ring ,announcing his intentions to run for leader of the free world.
With the real run up to the elections fresh in everyone’s mind you might think setting a showy, media friendly , rabble rousing Loki right in the centre of things was a bit on the nose, then you’d be right. Broad swipes at the current political climate, general mistrust of politicians and the distracting circus surrounding it all run through the entire series. However for a while this works in it’s favour drawing the obvious parallels between the two and the ridiculousness of both and for a while manages to explore new elements of what at first seems like a simple one joke satire. Part of this is that despite his good looks and sharp tongue, Hastings and Foss have made the former agent of Asgard into a secondary player in his own book. Told from Nisa’s point of view it definitely helps the story seeing it through her eyes in much the same way that Marvels gave us a glimpse of the dawn of the greatest heroes from a street level. Ultimately though it feels as if Nisa isn’t given that much development and even her speech in the rushed final issue can’t help shake the feeling that Nisa didn’t get a lot of agency and like the main story, hers just doesn’t really go anywhere interesting.
Even having a few other Marvel titles to his name it was still surprising to see Langdon Foss, whose art was part of what made his collaboration on Ales Kot’s The Surface so new and exciting. Even with the vastly different styles across their line, Vote Loki still feels like an outlier with it’s very strong indie-creator owned feel. Foss has a unique and style and texture to his work both in terms of characters and settings that feels perfectly suited thematically for a topical, street level title like this. As with “The Surface” and it’s highly detailed and precisely inked surreal landscapes, his work is elevated when drawing the fantastical. Here it’s when the Asgardian’s showboating leads to him using his powers, floating in heroically in issue one surrounded by glowing Nordic knot work. Even when delivering a speech from his podium, Foss’ Loki has a huge and attention grabbing presence. However like the series itself it starts to get very repetitive with the same few locations and the art definitely slips towards the end of the series, with issue four looking noticeably rushed and a little lacklustre.
Vote Loki was a title I really wanted to like, especially considering the team involved, but despite a strong start in the first two issues it really burns through that initial goodwill when the third issue spins it’s wheels telling a story it had already pulled off so well in the previous issue. Once again Nisa brings evidence against Loki, which he spins through the media machine to his own advantage. Given it’s oddly rushed finale that jumps closer and closer to the election every few pages, it’s a shame it squandered the chance to let the story breathe a little or maybe a few more issues to properly flesh out it’s ideas. A fun premise that is let down by a boring repetitive plot, uneven artwork that like Loki’s campaign never really delivers on it’s initial excitement.
Vote Loki is available Wednesday 5th October and collects Vote Loki 1-4 and material from Journey Into Mystery 85 and Avengers 300 (1963)