Wednesday Adventures- 26th April

review

 

STL034074

“The superhero is the kind of last, small, broken ideal of what we might all become one day if we just get it together and stop being assholes”- Grant Morrison

Doom Patrol 6- DC Comics

Fantabulous first arc complete! DC’s most obtuse and outlandish band of superhero misfits continues to be the perfect place for Way’s seemingly endless stream of delirious ideas and deranged pop punk poetry dialogue. As ambulance driver Casey brink comes to terms with her origin, the team finally reunites against the Vectra to defend Danny Le Street from becoming intergalactic street food

A dadist infused, psychedelic romp that serves as both a love letter to the Doom Patrol’s legacy and the enduring power of super heroes and comics, Way and Derrington have found the perfect midway point between the outlandish and perplexing antics the roster of strange characters have to offer and the good bright fistpumpimg super-heroics in the strongest and strangest title from the Young Animals imprint so far.

 

STL039930

Infamous Iron Man 7- Marvel Comics

Despite my criticism of the first few slow paced issues, Bendis and Maleev’s re-introduction of Victor Von Doom and his newly aligned moral compass is the one title I quietly look forward to each month with it’s perfect inversion of superhero characters, motivations and interactions as it skewers the rivalry against Marvels first family, eventually pitting the new found hero against The Maker.

Seeking redemption for a life of tyranny and the combined might of the villain community and SHEILD pursuing him, Doom finds the hardest thing to escape are his own reputation and actions. The idea of an inverted Victor was around in Axis and here Bendis writes that concept in widescreen, big and bold in it’s action set pieces whilst at the same time small and intimate when exploring it’s troubled protagonist.  The slow pace that bothered me at first actually gives the story breathing room letting Bendis pull off a more poignant and complex examination of the once power mad Doom. For all it’s cinematic superhero action, at it’s core the Infamous Iron Man is revealing itself to be a fascinating study of a man at war, with himself

“Panic in Detroit Baybah!” Zac Gorman and Will Robson reassemble the Great Lakes Avengers

comic, review

detail.jpg

Calling the Great Lakes Avengers Z-list heroes would be an insult to other hardworking Z-listers. Indeed, an insult to the very concept of lists itself. Unless it’s a “most obscure Marvel characters of all time list”, which like most people is where my knowledge of this quirky little group of lovable underdogs both starts and ends.

Created by John Bryne, and subsequently deemed unfit to even be a part of the Avengers “brand” due mostly to the combination of crap powers and weird personalities, the team has always been a tongue in cheek, off kilter look at the world of well intentioned, yet hilariously inept superheroes. With the run of success from books with more humorous bent, such as former member Squirrel Girl it’s perhaps not surprising that Rick and Morty comics scribe Zac Gorman has brought the team back.

Thrown back together through a legal loophole and perhaps the most ridiculous fall out from the still ongoing second Civil War, the majority of the book revolves around getting the four team members; Flatman, Big Bertha, and Doorman back together. Eventually moving the team out to new digs in Detroit. Beyond that Great Lakes Avengers’ debut issue stubbornly refuses to offer up any solid hook for readers or indication of it’s direction beyond bored genius Flatman wanting to get the team back together to relive the good old days. For a first issue featuring a team with such an interesting history, the plot feels strangely low key.

Gorman does a great job re-introducing these characters and portraying their varied personalities and powers, but it’s just somehow never quite as funny as you’d expect it to be. It has a few solid moments early on with some perfect comedy pacing, with so much of the remaining humour feeling forced or flat. The funniest parts of the book centering around the group’s well meaning leader and his predictably squalid home as well as a great moment involving an ex-member’s recent rise to the big time. Overall it just doesn’t quite have the effortless delivery or laugh out loud moments that elevate the likes of North’s Squirrel Girl or Zdarksky’s Howard The Duck just yet.

Robson’s cartoonish, exaggerated artwork is what sets this book apart right now, ringing every bit of physical humour from the outlandish cast with his gorgeously over the top facial expressions and character design, each with their own distinct look and feel. He gives a strong sense of movement and action throughout, which helps in an issue with a lot of dialogue heavy set up, and callbacks to the characters past exploits. The introduction of new character “Good Boy”, a huge blue werewolf, is when the writing and artwork finally come together for one of the issues funniest moments. Although not the strongest first issue of any of the recent humour focused Marvel books, overall it’s still has a solid enough base to build upon in future issues, and hopefully establish more clearly what Gorman has in store for these misfit heroes in the months to come.

‘For the usual fee–plus expenses’- Bendis and Gaydos are back with new Jessica Jones series

comic, Comic spotlight, review, Uncategorized

jessica-jones-1-cover

“Everybody feels beleaguered at some point, That’s the universal truth of punk, that you are going to feel, in whatever role you’re living, that everybody is against you”

– John Darnielle

Say what you like, Jessica Jones is a character who is at her most compelling when beleaguered, set upon and troubled. Alias reveled in seeing her overcome great odds and her own actions and although her appearances since her own title had her finding some semblance of peace and happiness it’s clear that on returning and picking up her story after over a decade away, Bendis isn’t interested in a happy Jessica either. With original artist Gaydos back on board as well we find our reluctant heroine, with a few tweaks here and there, pretty much back where they left her all those years. This issue finds her fresh out of prison and stubbornly dodging questions about the mysteries mounting up in her own life, her marriage, her incarceration and most importantly what, if anything has happened to her daughter, Danielle.

Barely skipping a beat, Bendis drops us back into her world weary frame of mind as if we were picking up the story from last month, never mind over ten years ago. His characters voices are all distinct and sharp, never more so than when they are giving a knowing wink to the changes in the Marvel landscape since Alias wrapped up. Although it’s comforting to once again to hear Jones’ jaded inner monologue, this time we can most definitely see where it might trip her up. Over the years she’s tussled with superheroes and seen incredible things, but when her new client mentions her husband’s unusual behaviour and outlandish claims of having lived another life, started “eight months ago”, dismissing the obvious answer and leaving us on the edge of our seats as Bendis teases us with a mystery of a character who is either on the con, or an unwitting casualty caught up on the wrong end of Hickman’s recent cosmic reshuffling. Reminded in part of the classic Astro Cities storyline, “The Nearness Of You”, with average citizens caught up in universe altering events they can scarcely comprehend, let alone react against, it sets up one of the books many, many mysteries.

Gaydos’ art for the first issue is as despondent and melancholy as it ever was. His tired and worn out characters set against his un-superheroic, washed out New York City managing to feel both fresh and familiar, emphasising just how unusual his style and tone is to comics even on the second time around. It’s thrilling to see the recently formed Champions striding through New York in Gaydos’ gorgeously grimey and downbeat style as Jessica sits on, suitably nonchalant at the public posturing and heroic antics around her.

“Is she a big deal or not?” asks a prison guard early on in the book, with some firmly tongue in cheek Bendis dialogue, daring the reader to answer. While the more cynical might point out his earlier remarks on having written everything he wanted with Jessica, or the success of this years Netflix show for his  sudden return to the world of Alias Investigations. Let’s face it comics are based on “never say never” and this issue seems almost genuinely reluctant to trade on the success of the TV show or even show off about getting the band back together, so to speak, lest the book stray too far from it’s scrappy underdog roots and with a subtle first issue might have just pulled it off. While some might be put off by Bendis’ deliberately slow pacing or knocking Jessica down once more for the sake of restoring her status quo somewhat,  the first issue sets up some intriguing conflicts and mysteries, all with the chance of her coming back stronger than ever.

 

The Pull List 21/09/16

comic, Comic spotlight, First Impressions

The Backstagers 1 (Boom Studios)

A little bit of a cheat this one given it came out weeks ago, but this second printing is perfect for certain people who despite regularly singing the praises of Boom  for the likes of Giant Days and The Spire, Still somehow manages to miss out on delightful new titles like The Backstagers. Written and created by current Detective Comics scribe James Tynion IV and artist Ryan Sigh,  it takes the Lumberjanes template of adorable art with an everyday setting with magical elements.This time the magic of the stage that turns out to be very real for the private school theatre crew of the title.

With two openly queer creators at the helm, Backstagers boasts a strikingly diverse queer cast it’s the kind of book I champion, and it’s refreshing already to know it’ll explore the kind of identities and personalities beyond the tired and tested. If ever there was a safe bet, then The Backstagers would be it, already released to rave reviews and praise, it looks to be every bit as heartwarming and welcoming as it’s camp based cousin.

Rumble 14 (Image Comics)

At the risk of repeating myself, this months issue of Rumble is another regular returnee onto my weekly  picks, and deservedly so. Aided by the enthusiastic but idiotic Del, Rathraq must face off against his own earthly remains and an impossible decision. With a unique and engrossing mythology, Arcudi and Harren continue to develop their mystical brawl-em-up’s cast of complex and conflicted characters. The question of “what colour darkness” is increasingly “shades of grey” to Rathraq as he faces the consequences of his life long vendetta. Action and intense visuals you can only find on the printed page, Rumble is constantly at the forefront of what makes comics so exciting.

 

 

“I’m still working on taking my own ideas seriously”- Talking comics and body horror with artist Tessa Black

artist spotlight, comic, Comic spotlight, First Impressions

Sea Wpage 76

One of the biggest pleasures for me reading and collecting comics this year has been the sheer volume of exciting and interesting anthologies that have been released thus far. Between the ones from the major publishers and kickstarters, it’s been really easy to find something inventive and interesting from complete newcomers to more well known names. I’ve sung it’s praises on here before, a lot I know, but for me Image comics Island is still one of most consistently inventive in terms of content and creators as well as being readily available in comic stores. One of the clear standouts for me so far has to be Tessa Black’s “Seawitch” which was featured way back in Islands third issue.A trans Designer, Illustrator and long time artist from Vancouver, Seawitch is surprisingly Black’s first foray into the world of comics and it’s instantly striking in how confident, fully formed and realised the idea and execution is.

Created over the course of a single weekend, this deliciously unnerving and thoughtful comic depicts a woman stood alone on a beach, before entering the ocean as she begins drifting down to the depths and slowly undressing in a slow build of body horror. Clothing and jewellery and even body parts discarded as she descends to the ocean floor.A long dead pilot the only silent observer on this arresting and quietly unnerving, yet intimate scene. Slowly transforming her body to match the environment around her it culminates on the final page with the Seawitch at ease in her new surroundings, undressed and comfortable in the silent watery depths. For me it’s the collection of smaller moments leading up to this. A series of panels depicts a figure gently pulling a pair of socks, each pulled down with the other foot. It’s an every day act but here it is oddly intimate, sensual but uncomfortable.Black reframes this almost crushingly mundane act and make it feel voyeuristic, a far too personal and intimate an act for us to be witness to.

With it’s clean fluid lines and coloured only in minimal blues it captures the solitude and coldness of the sea, adding in alien, oceanic textures to the figures body. Although it works on a surface level as a slow build body horror, after being lucky enough to  talk to Black over e-mail she also expertly uses her first comics creation to communicate her personal experiences of being trans, addressing the idea of clothing as performance and how environment and peoples ideas of us shapes both our identity and form to certain extents.

Before Islands and Seawitch, had you ever considered producing comics before? If so what ideas did you have and what prevented you from making them?

I’ve been around comic artists for a few years, but always felt the burden of their expectations or opinions of certain genres and approaches in the medium. I still don’t consider myself a comic book artist or even an avid reader, but it’d definitely something I’d like to explore.

Did you find yourself changing your approach to drawing a comic rather than single illustrations? How did the idea for the minimalist color palette come about?

I think you can definitely see the change in approach when you compare my regular art with the comic. I was pretty pressed for time, so I would have coloured it with flats in a limited palette if I’d had more time. I still intend to do so when I get some time, so I can re-release it anywhere else. I’d probably add in illustrations on the side, similar to to the work of William Stout, which inspired me greatly as a kid.

On your tumblr, have a run of insect girls, or people with insect parts. What about insects appeals to you? Is it there bodies mostly or also behaviours?

I really like insects for a whole host of reasons. Their anatomy is so different from ours, more similar overall to the things we make than the way we see ourselves as humans. Despite drawing sexy bug ladies, I’m more interested in conforming the layers and segments of insects to conform to a more familiar silhouette.

SeaWlow

Also a series brightly colored goo-girls.  What attracted you to draw them, the malleability of them or some other aspect?

I like goo girls and shape shifting in general. I’d like to play around with the idea of being able to fluidly present your own body based on subconscious thought. Having a form decided by the subconscious, without being predisposed by genetic or environmental (physical) pressures.

You also mentioned you went through a phase of drawing yourself, what broke this series of drawings, or was it just a desire to move onto something else?

I think I started drawing who I wanted to be just after starting my transition. A lot of folks recommended that to work towards feeling comfortable with my body or thinking about clothing styles. I tried being pretty realistic with how I expected to look, and that shape formed the basis for a lot of my exploration of erotic art.It all started with a fairly simple and cartoony bodies but adapted to become softer and more varied as I experienced changes in my own body. I also get bored of things pretty easy and dislike seeing repetition in themes or processes in my art. I never really had much of a signature style and I’m always much more interested in trying new things than sticking to old ways. It feels like the best way to learn is to shake things up and tackle new directions in art, but that’s just me!

THE PULL LIST 10/08/16

comic, Comic spotlight

Vision #10 (Marvel Comics)

Delivering emotional gut punches and shocking moments, King and Walta’s and heart achingly tale of family, conformity and identity hit’s it’s sure to be devastating endgame. The Visions mission for normality and a places in the world falls apart and promises the violence and inevitable confrontation with his fellow avengers that has been lurking in plain sight since the very first issue. Continually gripping and equally shocking, I can only imagine what the last three issues of what is sure to be known as a classic will bring for the Vision and his family.

Spidey: First Day (Marvel Comics)

Marvel hasn’t exactly left fans desperate for Spider-man related titles in the last few years with readers able to get their arachnid fix in Infamous, Amazing, 2099, Silk and Gwen flavors to name just a handful. Hearing about this new title I was skeptical at first especially in the high school setting the films still obsess over even now. The truth is despite the enduring Image of Peter, he only spent about thirty or so issues actually in High school, which makes it the perfect place to get some old school, no nonsense webslinger stories. This first volume collects writer Robbie Thompson (already a Spider-vetron having written Silk and Venom: Space Knight) and Wolverine and the X-Men Artist Nick Bradshaw. With Peter back in high school and his early career as the wallcrawler, the pair have been creating an essential re-tweaking of this time in our hero’s life. Even within the confines of a soft re-imagining they succeed in thrilling at every turn with the mix of high school drama and updated canonical appearances of classic Spidey villains like Doc Oc. The super detailed work on Bradshaw gives a much needed youthful energy to the book as he did with Wolverine and the X-men.

While I’m thrilled with the major character development and changes Peter Parker has had over the last few years it’s still great to see a book out there for an audience who wants fun, exciting old school Spidey tales.. With Peter back in high school and his early career as the wallcrawler, the pair have been creating an essential re-tweaking of this time in our hero’s life. Even within the confines of a soft re-imagining they succeed in thrilling at every turn with the mix of high school drama and updated canonical appearances of classic Spidey villains like Doc Oc. The super detailed work on Bradshaw gives a much needed youthful energy to the book as he did with Wolverine and the X-men.

While I’m thrilled with the major character development and changes Peter Parker has had over the last few years it’s still great to see a book out there for an audience who wants fun, exciting old school Spidey tales.

“A power pad is not a thermal blanket!”-Tim Weeks’ furry video game webcomic, Savestate!

anthro, anthropomorphic, artist spotlight, comic, Comic spotlight
2016-07-27-pokemon_fallout

 

My relationship with games could be described as patchy, at best. As I kid I all but destroyed my much loved Megadrive from constant play, but beyond the warm nostalgic 16-bit fuzz I’ve rarely picked up a joypad since. I even had to ask my husband if ‘joypad’ was still a legitimate gaming term just now, deciding on it over ‘controller’. Having played only a handful of games since; Max Payne, Starfox Adventures, and Bit Trip Runner, a video game per generation give or take I’d defiantly not fit anyone’s idea of a gamer. Which is weird, considering that Tim Weeks’ Savestate is currently one of my favorite furry webcomics. In case the name didn’t give it away, the motley crew of Savestate really, really love their video games! Centering around siblings Nicole and Kade regularly joined by their friend Rick ,Elder god Harvey and the demonic entity, Ness on their gaming misadventures. Weeks’ artwork really shines when he draws his characters in the game worlds themselves, showing off well known favorites like Mario Kart in his own charming and polished style, even incorporating animation, such as his crossover with gaming webcomic, Gamercat.

Last year saw another major milestone for Savestate when it was nominated for the comic strip category of the Ursa Major Awards, which are voted upon yearly and intended to award and highlight “excellence in the furry arts”. Although Savestate ultimately came in second it was to Housepets, a comic that has itself been running four times as long and won the category for seven years, consecutively. Moving up from third place the previous year and vastly outstripping much more established furry webcomics, it’s a testament to how well the mix of humor, positivity and gaming culture has built up such a strong and loyal fan base in it’s first two years.

The very first strip found Kade porting over the now infamous glitch Pokemon, ‘MissingNo’ (the easiest glitch to catch, an integral part of Pokemon lore although still considered by Nintendo as simply “a programming quirk”) proving from day one how deeply passionate Weeks is about gaming culture and how central it is to his comic. This last months strips have seen Savestate returning to it’s roots somewhat with the rewed interest in the now 20 year old franchise that came the release of Pokemon GO has started, rekindling the franchise once more. As you’d expect Kade, the consummate gamer lives up to every online scare story by getting himself into places he shouldn’t in order to catch them all!

Again, the highest praise I can personally give Savestate is that even as someone who isn’t a gamer, at all, it still has me engrossed and eagerly awaiting a new strip every Wednesday. Playfully incorporating pop culture and gaming staples in new ways, the comic exudes Week’s passion for video games and why it has quickly become and furry favorite.

 
2015-07-01-victory2015-08-05-harviplier2015-09-02-until_morning (1)
Okay, so some basics first, what is your favorite game and console?

Game: Ocarina of Time. It was the smoothest transition from 2D to 3D ever and had a huge “wow” factor in terms of graphics and gameplay. Console: Either the Genesis or SNES, I love 16-bit games. If I had to pick one then SNES, with classics like Star Fox, Final Fantasy III (VI), Chrono Trigger it edges out the Genesis.

How did it feel to come 2nd place in the Ursa major awards, especially very close behind a comic that is now in it’s 8th year? Does it help knowing you’ve built a strong fanbase like this in such a short time, what do you think has captured furries and gamers about your comic?

That was crazy! I thought Savestate could avoid last place, but never to come in second on it’s second year. Now I’ve got to work extra hard to keep that second place. I don’t think anyone is going to dethrone Housepets until Rick chooses to decline his nomination. It’s amazing how quickly the Savestate fanbase grew. When I started the site I was getting something like 300 hits every time I posted a comic which seemed like a lot. What’s most impressive, to me, is that before Savestate I had never really posted any of my art online; so all the hype was generated purely by the comic itself.

I think gamers enjoy the comic because Kade embodies a more child-like sense of gaming. Back when it was more about showing your friends your Pokemon rather than trying to beat them in a battle.I think furries are drawn to the comic because of the art style. I tend to draw things in equal parts cute and cool. I also hope people are enjoying that the comic is PG (or maybe PG-13 when Harvey gets angry). There’s just so much adult material in the furry universe that it starts to drown everything else out. People seem to forget that the furry fandom really started with children’s characters like Mickey Mouse and Bugs Bunny.

Is there any direct analogue of yourself in the comic in terms of characters, if not who do you think you identify with more?

Kade and Nicole are a split of my personality. Nicole was based on our family dog, Mandy. Any personalities I shared with Mandy went to Nicole and what was left over went to Kade. If you combine the two you basically get my messed up brain

.What drew you to using anthropomorphic characters in Savestate?

I’ve loved anthro since Rescue Rangers! Games like Sonic and TV shows like Swat Kats further embedded that fandom. I actually wasn’t even aware “furry” was a thing until I randomly found Havok, Inc in my local comic shop. Even then I thought Chester was a girl for the longest time. :3

2014-11-05-experience
A lot of comics like yours heavily reference video games to the point of the characters being shown in the game.Visually are there any game genres of games you wouldn’t include in Savestate or would be too difficult to accomplish?

I won’t do anything adult, so AO rated games are out.  If I ever used something violent like Gears of War 4 I’d just limit myself to blood and leave the gore out.  I suppose the only other thing I wouldn’t do is a game with extremely simple stylized graphics, like Limbo.

What are your favorite game elements or characters to draw?

Sonic.  I could never count how many times I’ve drawn Sonic.I also like drawing the Savestate characters in different game character outfits.  It’s fun to try and modify clothes to fit a furry build.

 How did including animated elements in certain strips come about? Was it something you were familiar with before or learning as you went?

Animation has always interested me.  Mostly traditional animation or the old hand drawn 2D sprites.  I love doing facial expressions and animation let’s you really play with that. I’ve dabbled with various forms of animation over the years, but the idea to put in a web comic came from GaMERCaT.  That’s why I had to make sure the guest appearance with Gamercat was animated.

What was your experience like working on the recent Starfox strips for Nintendo Force?

Nintendo Force is the spiritual successor of Nintendo Power and that comic was a lot of fun. Since the magazine is done by fans I could really do anything, like mention characters from the canceled SNES Star Fox 2 game. The original plan was to print the comic in the December issue which was going to be Star Fox themed to go along with the release of Star Fox Zero, but Nintendo pushed the game back a few months. Since the magazine is crowd funded we decided to print in the December issue anyway since there was no guarantee it would continue. Regardless, it was a lot of fun and I’m really excited that I got the chance to do it. My favorite part of EGM was reading Hsu and Chan. I really miss that comic.
2014-12-03-i_am_modem

 

Savestate is updated every Wednesday. Tim also has a gallery of his other work over on his deviant art page and can also be found on twitter.

The Pull List 27/01/2016

anthro, anthropomorphic, artist spotlight, review, Uncategorized

Island #6 (Image Comics) – Even with the ever so slightly reduced page count, you can still count on Island to be the greatest anthology out there in terms of casting its net far and wide to bring attention to new and unheard of comics talent on a monthly basis. The highlight this month is the story “Badge of Pride” featuring a group of young anthropomorphic guys as they navigate the social minefield of their local Pride event. Having followed his work on and off for years now it’s thrilling to see Onta’s work shown to a more mainstream audience and I was fortunate enough that he had time to answer a few of my questions last week about his new, more personal and story driven outing for Island.

This month also presents work from Gael B as well as a recoloured, reprinted sci-fi classic in the form of Fil Barlow’s Zooniverse.

Saga #33 (Image Comics) – Thirty Three issues in and Vaughan and Staples sci-fi epic shows no signs of slowing down as it continues to shock, thrill and delight in equal measures. Staples beautiful cover shows that the adorable journalistic couple Upsher and Doff are back after being warned off reporting on the story of Marko and Alana way back in the books second arc. While only briefly touched upon I look forward to seeing how Vaughan develops the relationship between the pair as they become embroiled deeper in conflict and conspiracy. It’s been briefly hinted that the pairs society doesn’t look kindly on same sex couples and it will be fascinating to see what the writer has to say on the subject in a series that really pulls no punches with its social commentary.

“This weirdo parade”-Furry artist makes it ‘Onta’ the cover of Island issue 6

anthro, anthropomorphic, artist spotlight, interview, Uncategorized

IslandMagazine06_Cvr_362_550_s_c1

New to readers of the Island anthology, but well known in the Furry subculture, is an artist usually featured in Hard Blush; a series releasing extensively gay furry comics, Onta. Whilst he’s associated more with pornographic and adult comics, his entry into Graham and Rios’ anthology series Badge of Pride will be a more slice of life offering, as the artist delves deeper into the lives of his cast of characters. Marty, Taylor, Jessie and Mu show their wildly different experiences and expressions of sexuality during a local gay pride parade. Showing that even now Pride is an important part of LGBT life, meaning different thing to each person, whether they love it or loathe it.

I found myself drawn to, and feeling sympathetic towards, the quiet and retiring lion, Jess portrayed as finding it particularly difficult to identify with the more flamboyant carnival atmosphere he finds himself caught up in. He bemoans “I can’t relate to any of this shit” and finds himself “sulking like an idiot” while others throw themselves into the party with more ease and gusto.

With Island issue 6 out next week I finally got a chance to ask Onta a few questions about his newest comic.

fishlips1

Marfed: How did you first discover the furry subculture and were you already drawing by this point? What lead you to want to draw comics, especially furry ones?

Onta: I discovered it as many do, through erotica. Specifically Japanese gay kemono artist. There where many inspiration but Aoi Takayuki and Poju’s entry where a really big deal for my entry into furry.

I had slacked around for a while trying to commit to various projects but could never fully commit to something. I felt if I created a persona and boxed myself into a small limited area my mind would do better. I had been trying to make comics for years and had failed quite often. Miu asking me to do a page for the first edition of Cocktails was really my first major completed comic’s work which was pretty late in my career as an artist. I didn’t have fully formed characters and story, even if only porn prior so it gave me a big boost. I felt very weird after completing it as it was a new sensation.

M: How did working on Brandon and Emma’s Island anthology come about? Were you a fan of either of their work before hand and have you been following the issues of Island up to now?

Onta: Brandon approached me a year and some change ago. I believe he was introduce to my work through Fangdangler (Adriel Forsythe). I used to be pretty big into indie comics back in the day following Derek Kirk Kim and similar artists and I gradually fell out of that sort of thing as work in animation industry and later games industry took over. I have become a fan of both Brandon and Emma since my involvement.

M: Can you tell us a little bit behind the story you have in Island and what lead you to write it? What was the best part of working on this story for Island? How did you tackle including characters from your previous work that readers might be unfamiliar with?

The creation of this story was not simple and actually require a lot of outside help including reviews and feedback cycles. Understand that although I’ve made quite a few comics they all heavily rely on adult scenes to fill out the whole thing. Having to make a story that relies nearly 100% on interactions is new territory for me. , I’m having to introduce my characters to new readers meaning I couldn’t rely on previously established character elements. I wrote the story and somewhat over emphasized their characters as to catch everyone up with this entry hopefully it pays off and people get the archetypes. As for the story itself I wanted something that would both satisfy furry fans and attempt to mirror gay acceptance with furry acceptance. Hopefully the irony of hating furries but enjoying the message of gay tolerance isn’t lost on most readers. I also had to work on facial construction on Jessee as his face has always been a loose cannon as far as structures go.

The best part was honestly getting it done. It was very, very hard work. I think this is the most professional I’ve even been on a project because I feel these characters are on the end of their lifecycle with me so a lot of pushing was needed to get the story out.

fishlips3

 

M: Not only are you in the issue, you drew the cover too. How did that come about and how does it feel that in January Marty and company will be rubbing shoulders with the likes Spider-man and Batman on comic shelves?

Once again that came out of the blue when I was asked. To be frank again, it was just a “do the work and make it nice” scenario. I think 21 year old me would be handling all of this a lot differently. As an older feller I feel It’s more of a “do a good job and don’t fuck up” feeling.

M: Are there any other furry artists’ work you could see fitting into Island in future issues?

Onta: I definitely think Miu (creator of duo Peaches and Cream), Seel and Rikose would do great in Island.

M: Were you at all worried about the perception of your work with a non furry audience with a lot of it being very adult in its art and themes?

I’m only worried about Brandon book doing well or not and I’ll be working hard to get furry fans to purchase and offset sales slump from those uninterested. I’m in too deep to worry if people will respect me or my art or the adult themes. I never anticipated any serious published work ever so it showing up out of the blue is a nice treat but it’s so far off from my mind I’m in it to do the work and hopefully make Brandon happy. If it does well and people like I’m excited but I have zero expectations from my work in Island beyond doing a good job for my employer.

M: Do you feel that furry is slowly becoming more mainstream and the public more accepting of works like yours that would at one time have been considered exclusively for a furry audience?

Onta: I think as time goes by and people deal with the fact that everything is up for grabs as far as sexualizing stuff, people will learn to deal with furry as two distinct things. The Disney movie coming out won’t hurt and will probably spawn a huge new group of furries.

M: I found myself identifying with Jess a lot and his feeling of not fitting in with the rest of the Pride attendees or the typical Gay identity. Is this something you that comes from direct experience yourself or from other people you have met? Which character, if any do you feel you identify with the most?

Onta: I think the majority of gay people are completely underrepresented. I also believe there is a strong “Full gay or get out” sort of mentality from both the gay scene and in general. No one wants anything but very clear sexual labels and it just doesn’t work that way. I think Jess’s position is the first baby steps for a lot of people. Someone who doesn’t aggressively hide their sexuality but also doesn’t reveal or revel in it.

Each character represents a part of me. Not equally or even in the same way. Some characters represent desire or wishful thinking others are more mirroring my personality or thoughts.

fishlips2
M: The idea of Jess coming to terms with his own sexuality has been subtly hinted at in your adult work, what made you want to pick up on this thread again? What interests you about it?
Onta: I think the furry fandom has a unique appeal to people who are taking their first steps into exploring the sexuality as gay males. Furry’s and furry conventions are sort of a microcosm. A lot of niches, interest and kinks sort of converge under this one major theme and since Anthro fans are pretty much used to being social pariahs, grouping with similar folk sort of soften how much you stick out from normal everyday life.

Since my work is directed at the furry fandom to some extent I felt I should include a swathe of personality types with varying levels of sexual and emotional maturity. Jess, although my least popular character and more popular with woman was the best angle to allow new readers and furry fans in general entry into the story I wanted to present without alienating them.

M: Do you still think Pride is important even in 2016 and why?
Onta: I’m not sure. The internet is doing a lot of good (and some bad) where visibility is concerned. I think pride is more of an event for many people then a social cause at this point as it’s often presented with some level of showmanship over any real attempt to present or solve issues that non-hetero folks deal with. I wanted to present something a bit more realistic with the way I’ve noticed the crowds interact with the parade without getting too catty/snide about it.

M: Badge of Pride raises some interesting points as well as being fun, could you see yourself doing more works of this type for a mainstream audience that deal with topics like sexuality and identity as well as your adult work?
Onta: This comic took a lot out of me. I don’t know. I didn’t want to indulge in a dark, self-hatred, depressive style slice of life comic though was my first kneejerk response when asked to make a story. I felt I should focus on entertaining the people first and get my messages across somewhat subtly. I have people who have read the script and given feedback to thank for that. If the reception is good and people genuinely like it and Image doesn’t get mad and numbers are good on sales it would be a good serious consideration.

Island issue 6 featuring the ‘Badge of Pride” by Onta is released on January 27th while his adult works can be found in pages of Hard Blush available here.

“Truly, My life is a low budget horror movie”- Scott Zelman’s wilde and much missed webcomic

anthro, comic

 

buster001

“Don’t be scared! He doesn’t bite. That’d be gauche”

Scot Zellman’s Buster Wilde first appeared on-line around the mid-nineties back in the prehistoric days of the internet. Following the exploits of our eponymous hero, lover and maybe most importantly, gay lycanthrope as we quickly discover the he twist in the familiar folk tale and pop culture staple. Sinewy, flamboyant party animal by night at sunrise Buster switches back to his beleaguered alter ego, Bernard. Stressed, uptight and again most importantly, straight. As Buster humorously and enthusiastically throws himself into his new life, navigating the gay club scene with its drama and clichés, Bernard struggles with a double life he doesn’t remember and more often than not waking up in other guys beds. It was among one of the first web comics I discovered when I finally got on-line and I quickly made my way through every strip on the now broken and mostly forgotten geocities site.

You heard that right, Geocities. It’s been around fourteen years since the final strip was posted and it’s a testament to both the quality of the strips and Zellman’s considerable skills as a writer and gifted cartoonist that those who saw it at the time still hold it in such high regard over a decade later. Apart from one of two references that date them (Buffy, who Buster declares is a bitch because of her treatment of fellow werewolf Oz) the Buster Wilde strips have a timeless quick paced humour to them that’s still as funny today as when they were first conceived.

buster012buster013

They continued sporadically for four years and fifty two strips until one day they just, stopped. One last strip with the energetic Buster switching the word ‘fetch’ with ‘felch’ and then, nothing. The site was never updated again and still remains, albeit a little bit more broken. If anything it reminds me how easy it was in the early days before social media and constantly online presences for people to simply disappear from the surface of the digital world. Details are still frustratingly few. Beyond a few mentions on forums here and there, the odd broken link, I feel confident in saying this post will be the most ever written about it. In the last few years web comics have really come into their own as something unique and separate from other comics, gaining a lot more attention and exposure in the process. It’s a real shame that in being an early example of the medium that it’s fallen through the cracks when it comes to wider recognition and it feels bizarre to be the first one writing about so many moons later.

buster006buster015

My understanding from what I could gleam from a question here and there on twitter is that Zellman simply moved onto other projects, before eventually retiring from comics completely. It was a pleasant surprise a few years ago to find that a print version of the Buster strips existed, released by Furplanet who now helpfully host copies of the originals online. Alex Vance, writer of the Heathen Cities series and also a fan had reached out to Zellman with the offer to touch up the original artwork and release them on paper and ink “There was a new generation in the furry community and when I was still in publishing I reached out to him and developed scans of his originals into a book,” says Vance on giving Buster a second chance in the spotlight  “They represented a significant work. Drawn and lettered entirely by hand, a vanishing art”. The volume collects all of the original comics, promotional artwork, a fascinating artists sketchbook giving a glimpse into the creative process of the comic. Most tantalisingly it features two partly inked, mostly  unfinished strips both in a larger format with more experimental layouts. One of these featuring Busters strange toilet habits is now among my favourites and gives a fleeting glimpse of what could have been.

buster035

Buster Wilde can be read in it’s entirety here. The printed version can also be purchased here or from amazon.

&nb